No Country for Old Men… a review
November 9th, 2007 | Uncategorized | 1 Comment »
Have you ever had the dream where you were at a “Cirque Du Soliel” show drinking a warm cup of piss with Mahatma Ghandi?
Ya, I’m pretty sure that my subconscious is being directed by the Coen Brothers.
In my mind I’m trying to be all “hip” and stuff because, well , Ghandi made it and I don’t want to look like some sort of Philistine by saying “Yo Mahatma. There’s a hair in my beverage”, but I still can’t get passed the fact that it’s piss.
That’s sort of how I feel watching a Coen Brother’s film.
Everyone around me is 150 times smarter than Stephen Hawking and I’m the guy with an Archie Digest sticking out of my pocket protector.
“No Country for Old Men” is about how Josh Brolin’s character (Llewelyn Moss) stumbles across a satchel full of drug money near the Rio Grande and angers a psychotic hitman (played brilliantly by Javier Bardem) who has a penchant of dispatching people with a pneumatic hose.
Sure it’s about as inconspicuous as bludgeoning someone to death with a cigarette vending machine, but you have to give them brothers bonus points for originality.
Anyway, Tommy Lee Jones is also in the film and he really stretches his acting skills by playing a crusty Southern sheriff who is always cleaning up the mess left behind by Bardem.
How many movies has Tommy Lee Jones played a crusty Southern character? Answer: “All of them.”
If there’s a sullen Texas cowboy character in a film and it hasn’t cast Tommy Lee Jones as the lead, you might as well be watching “Sweating to the Oldies” with Ru Paul.
The movie has crisp dialogue and brutal violence which are two Hallmarks of any Coen Brother’s flick, (the third Hallmark being a hard left hand turn into “What the FUCK?!!”).
Watching a Coen Brother’s film is like watching a documentary on CPR in which the victim has a cold sore and a porcupine embedded in their chest. You know the ending is going to be uncomfortable, and possibly unsatisfying.
If anything I have to take away a point for how shockingly unoriginal it is. It WOULD have been original 6 years ago, but I’ve recently seen a television commercial that ended similarly.
Bonus points for the freakish shirtless teen with gynecomastia though.
Tommy Lee Jones gives some sort of soliloquy that completely sailed over my head because all I could keep thinking about was the kid with bitch tits.
I’m sure what he said was really deep.
Probably not though.
Anyway, I’m giving it 3.5 out of 5 stars (penalizing the weird and plagiaristic ending) but I’m just a tourist visiting the Cult of Coen. Fanboys everywhere will no doubt disagree.
OK… update… I had a few weeks to think about it, and so I’ll give it another.5 points. If you’re doing the math that means 4 out of 5 because it’s grown on me like the moustache on a seven year old Italian boy.
I still say it’s more fucked up than Britanny Spears’ family and the ending was copped right out of a scene from “The Forgotten” but I liked it more than that pretentious sack of crap called “Before the Devil Knows You’re Dead” (great acting aside).
