Batman The Dark Knight… a review
This latest installment makes “The Ring” look like the feel good movie of 2002.
I still have a problem with Christian Bale being Batman, and it’s not because he’s not a good actor. It’s because he has a freaking speech impediment.
Is it a lisp? I’m not quite sure, but if there is another living actor that it’s more recognizable from the nose down then his name must be Daffy Duck.
Here’s how a typical exchange between Batman and a criminal would go down in Gotham if Christian Bale was really The Batman.
“Thtop evil doer, or elth I’ll toth you into the thee.”
“Heyyyy….You sound an awful lot like that millionaire with the lisp, Bruce Wayne.”
“That’s just a coninthadenth.”
“Ok Brooth, whatever you say.”
Batman either needs a speech coach or he needs that mask to cover his whole face because merely talking with a deeper lisp ain’t gonna cut it.
Anyway, let’s not get bogged down with casting choithes… er… choices.
The movie opens with “Scarecrow” (from the previous movie) trying to make a drug deal with a local crime lord, when from the shadows a group of fat men dressed like Value Village versions of Batman attempt to stop the illegal transaction.
It seems that Batman is inspiring imitators and when things start to go bad for the part time crime fighters, it’s up to the real McCoy to swoop in and save them from themselves, which of course only pisses the vigilantes off.
“How come you get to save all of the bad guys?” they whine, not taking into account that Batman has a three hundred million dollar budget not to mention his extensive martial arts training.
We’re not talking about Georges St. Pierre wearing a balaclava here people. Batman has a sweet ride with more gadgets in it than Bill Gate’s iPhone (oh, you KNOW he has one).
Anyway, there’s the phenomena going on lately with the super hero movies that’s getting annoying.
I call it the “ungrateful bastard” syndrome.
Some guy in a suit saves your bacon, but because (in the ensuing battle) your car gets wrecked or your Aunt Tilley gets squashed by falling masonry, you blame the guy who was fighting the psycho in the giant robotic spider.
Ya, because if he had just ignored him things would have been SO much better eh?
That’s basically the main story in “Batman, The Dark Knight.”
The Joker is played brilliantly by Heath Ledger and unlike Jack Nicholson’s previous version, JK is a total psycho. We’re talking whack job. Nutter. This is the kind of guy who put kittens in the microwave.
The Joker isn’t interested in money. He wants to prove that people are as ugly inside as he is outside.
His excuse for blowing up hospitals?
It’s Batman’s fault for not revealing his true identity.
Naturally, the city turns on Batman as the body count climbs and they demand that he unmasks.
Ok, so once he goes public and the Joker (or The Penguin, or Shaka Khan for that matter) kills him, are things going to get better?
The movie should have been called “Backstabbing Bastards who Betray the Batman” because for the next two and a half hours it’s a non stop betrayal orgy.
Anytime someone goes out for a coffee a bomb is planted in their briefcase.
Toilets explode. Halloween apples are filled with razor blades. Ontario convenience store clerks steal you lottery tickets. Madonna takes in a baseball game or two.
You can’t trust no-one!!
Actually it gets to be a bit much.
How does the Joker kidnap all of these people, rig bombs all over the city, plant poison, steal an eighteen wheeler or two (filled with rocket propelled grenades) and no one notices a guy in pancake makeup with a horribly disfigured face?
The answer is “who cares?”
This is a movie that needs to be taken with a grain of salt the size of Rhode Island.
It looks great, the performances are top notch and the stunts are fantastic.
Iron Man was fun. Batman is disturbing. Both are great films.
In the end though, I have to deduct one point for length of film and way too much treachery. One dirty cop is acceptable. Two is stretching it a bit. Seven thousand dirty cops?
What is this… New York?
Four out of five.





